God, I don't even know if I should be telling this. When I first heard it, I kept stopping under every streetlight on the way home. Checking whether there was a second shadow moving alongside mine. That's the kind of story this is.
It's something I heard secondhand. A friend of an older girl I know — she heard it straight from the source. And this older girl, apparently she's the type who shrugs off ghost stories. Someone tells her something terrifying and she just goes, "okay, so what?" That kind of person. But when she was telling this one, she stopped herself mid-sentence. Not her voice going quiet — she just shut her mouth. For a long moment. And that, apparently, was the most unsettling part of all.
This was at the Wolmido amusement park, before it closed down for good. Summer — mid-July, more or less. The details aren't certain. The kind of afternoon where the salt smell off the sea gets tangled up with frying oil drifting from somewhere, and the whole place is packed with people. A seven-year-old girl spotted the carousel and yanked her hand free from her mother's and ran. Pink t-shirt, hair in two pigtails. The mother turned away for a few seconds — just a few seconds — to open the zipper on her bag. When she looked back up: nothing. A pink shirt like that should stand out even in a crowd. But the girl was just — gone.
The police went through every second of the security footage. The girl running toward the carousel is there on camera. The pink shirt charging straight into the center of the frame, clear as anything. But in the next frame — she's gone. Not cut off. Not out of frame. The background is exactly the same, and the child has simply been erased from it. Not a single pixel disturbed. Just gone.
The mother couldn't leave. After that day she came back every day and stood in front of the carousel and waited. An hour. Two hours. She didn't go inside even when the rain came down. She stood there until her sneakers were soaked through and made that squelching sound with every step. People would come and tell her to please go somewhere dry, and she'd just keep staring at the horses. Like she couldn't look away.
But here's the thing. The really frightening part starts there.
People who passed by at night all told the same story. Strangers who didn't know each other, separately, every one of them heard the same thing. After closing time, from beyond the padlocked chain-link fence. Creak. Creak. The sound of the carousel turning. But not just an idle groan — something slow and steady, like a weight pressing down on rusted metal. One beat. Then another.
And over that sound — a child laughing.
Not crying. Bright, delighted laughter. Like she'd just climbed on for the very first time. The sound of it seeping out through the gaps in the fence.
One man worked up the courage to go close. He hooked his fingers through the chain-link and looked inside. I'm having trouble saying this part, actually — hold on. That man hasn't spoken about it since. When people ask what he saw, he changes the subject. Or he says just one thing.
The laughing stopped.
Not the sound stopped. The laughing stopped. When he pressed his face up to that fence — the laughing stopped.
But honestly. That's not even what gave me the worst chill.
The mother. The one who stood in front of the carousel every day. Someone noticed at some point that she wasn't there anymore. Nobody knows when she stopped coming. Just one day — gone.
After that, people started saying they could hear two voices laughing from beyond the fence. One high. One low. Together. Over the slow, steady creak of the carousel going around.
I can't say for certain any of this is true. It's just a story that floats around. But I can't get those two voices out of my head. The high one is the girl. The low one is her mother. The two of them — laughing together, bright and happy.